Tag: Gregorian chant

How to Chant the Collect to the Simple Tone

On By Gareth Gilbert-HughesIn Anglicanism, Christianity, Featured, Liturgy, MusicLeave a comment

Here is my video tutorial (40 minutes) on how to sing the Collect at Holy Communion.

In this video, I give a basic introduction to chanting the Collect at Holy Communion according to the Simple Tone.

The celebrant at Holy Communion says or sings the Collect appointed at the close of the gathering rite.

There is a great tradition of singing this prayer. Singing it helps underline its importance.

There are a few tones for singing the Collect, but this is perhaps the best one to learn. It only has four notes and can be pitched by the celebrant at a comfortable level.

In this video, I look at a sample Collect — the Collect for Advent Sunday from A Prayer Book for Australia — and examine its structure before learning how to sing it. Learning the structure of each Collect helps us understand its meaning and also helps us convey that meaning to the congregation.

I then practise chanting the text to one note (recto tono or ‘monotone’), and recommend this as good practise for learning how to chant well. Then I begin adding each inflexion or cadence one by one until the whole chant is assembled. I give some suggestions for the not-so-musical to help find the notes. I finish by showing how I might mark up the text without music so that I can sing directly from the prayer book.

A PDF of the full music seen in this video is available here:

Collect TutorialDownload
Old picture of the author wearing Anglican choir habit.

A spotter’s guide to Evensong

On By Gareth Gilbert-HughesIn Featured, Liturgy23 Comments

Evensong is a peculiar Anglican creature. It is the liturgy that has become the most distinctively Anglican and has become a treasured bulwark of tradition. This article is a little, geeky exploration of what is Evensong and its sub-species.

The word ‘Evensong’ is first documented by the OED in the Old English of the Canons of Ælfric (c. 1000) as æfen-sang. Until the Reformation, this English word was used to describe the office of Vespers, the seventh of the round of eight daily offices, said just before sunset.

Archbishop Thomas Cranmer produced two drafts of how the reformed Church of England should pray each day. The first, more radical plan was to consolidate the eight offices down to two. When, eventually, Henry Tudor junior died, Cranmer was free to produce the first Book of Common Prayer, published 1549. Its two daily offices were named ‘Matins’ and ‘Evensong’ (the former being the name of the first of the pre-Reformation offices, which also had the colourful Old English name uht-sang, which persisted as ‘Oughtensong’ in Middle English). With Cranmer’s revised Prayer Book of 1552, the quaint (or poetic) names of the two offices were officially replaced with the more robust (or prosaic) ‘Morning and Evening Prayer’. Yet the old names continued to live on, to the extent that it is rather daft to speak of ‘Choral Evening Prayer’.

Because of the pressures on Sunday mornings, especially with the restoration of the Parish Eucharist as the main Sunday mid-morning service, major celebrations of Matins have become rather few and far between. However, in twilight isolation Evensong has remained strong. In the nineteenth century, the ‘Fully Choral Service’ became a sign of aspirational excellence in neo-gothic, middle-class churches, aping cathedrals with their processions and besurpliced choirs. I believe that movement has skewed our understanding of  Evensong to assume that only a proper Choral Evensong will do, when we have forgotten how to do a good — liturgically and musically — Evensong that is suited to a church that cannot really cope with the demanding choral repertoire.

What about those sub-species?

Continue reading “A spotter’s guide to Evensong” →